“Catherine Martin’s mezzo has warmth and shimmer, as well as a degree of cut that lends distinction to her interpretation of classic lyric roles. ”
— Opera News
"The most revelatory performance came from Mezzo-Soprano Catherine Martin as the Egyptian Princess Amneris...Martin is both radiant and commanding and her passion both vocally and dramatically sustains the tension-filled first half of Act IV."
The three Rhinemaidens blended and contrasted exquisitely as they rode the swells of the rolling river. Catherine Martin’s seductive mezzo suggests that she’s long due for promotion to dry land and a place in Valhalla."
"There was a moment of ecstasy as she unleashed her full vocal power. As Leonora sings her final dying phrases, Martin gave off a pure piano sound with such finesse that it was arguably the most heartbreaking moment of the evening."